CBS has a lot to sort out as it faces life
without Les Moonves, its longtime chief executive who resigned this month in the face of multiple sexual-harassment allegations. One is whether to remain reboot central, the Dr. Frankenstein of old shows about bros with guns and fast cars.
A new version of the private-eye-in-paradise series
“Magnum P.I.” premieres on CBS on Monday, joining “Hawaii Five-0,” “MacGyver” and “S.W.A.T.” in the network’s all-you-can-remember buffet of nostalgia and testosterone. (A new iteration of “Murphy Brown” joins the CBS lineup on Thursday, for your crotchety liberal grandmother.) Like the others, “Magnum P.I.” is sleek, loud and possessed of less personality than the expensive vehicles it shoots up and drives off cliffs.
That’s unfortunate because the original series, which ran from 1980 to 1988, did have a personality. It was silly, superficial and saddled with the attitudes of its time toward women and nonwhite characters. But it had a little post-Vietnam grittiness and raunchiness, a little hard-boiled romanticism and an endearing (if unsophisticated) love of Hong Kong-action-movie styles and poses. And as the Honolulu-based shamus Thomas Magnum, a journeyman actor named Tom Selleck made himself a star on the strength of a twinkling smile and a modest gift for self-deprecating humor.
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It seems likely that the new “Magnum” won’t supply complaisant, mostly blonde bed-mates for its star in the same quantities the original did (“Three French stews!” having been one of Mr. Selleck’s most enthusiastic lines in the 1980 pilot). The new Higgins makes a disapproving meta-reference to “the endless stream of young women who, for reasons passing comprehension, choose to spend their time with you,” probably an indication that Magnum will be spending more time with Higgins.
One thing, however, hasn’t changed: the lack of a native Hawaiian or Asian-American character in the show’s core cast. It’s at least a little surprising
given the criticism that Peter Lenkov, who developed “Magnum” with Eric Guggenheim, received over diversity in casting when Daniel Dae Kim and Grace Park left his other Hawaii-set show, “Hawaii Five-0.” In “Magnum” you have to go down to what looks to be, at best, the fifth lead, a Honolulu police detective, to find an Asian-American actor. And look fast: The character named Tanaka, played by Sung Kang, in the pilot will be replaced by a character named Katsumoto, played by Tim Kang, in subsequent episodes. So, not exactly central to the show’s conception.
Having spent much of this review looking back to the old “Magnum P.I.,” it’s time to acknowledge that the real reason there’s a new “Magnum” is most likely synergy (and shared production costs) with the rebooted “Hawaii Five-0.” A “Five-0” character, the medical examiner played by Kimee Balmilero, crosses over into the “Magnum” pilot, and there will be more. Under Mr. Lenkov’s supervision, the shows share a high-gloss, production-line finish and an emphasis on joking male faux-vulnerability. (Mr. Knighton, the most engaging performer, is playing a version of Scott Caan’s querulous sidekick from “Five-0.”) There’s no evidence, however, of the old “Magnum” twinkle.